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Best camera slider 2018 – [Buyer’s Guide]

Last Updated October 1, 2020

Norman RyanMy name is Norman Ryan. After considering 35 of the most highly rated camera slider and testing eight of them for more than 18 hours, we’re find the best camera slider of 2018.

I’ll brush up on how to choose the best camera slider and examine things like materials, quality, and weight. Now I’m going to recommend a few camera slider you can pick from to get started quickly and easily.

Let’s get to it!

Best camera slider of 2018

Like choosing clothes or cosmetics, choosing camera slider should be based on your purpose, favorite style, and financial condition. Many models on the market may be confusing to a person who is shopping for their first time.

Check them out and decide which one suits you the best to splurge upon. Welcome to my website! If you plan to buy camera slider and looking for some recommendations, you have come to the right place.

Test Results and Ratings

Rank №1 №2 №3
Total 4.8 4.5 4.3
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Awards 1
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How to save up to 86%? Here is little trick.

[sociallocker]You must visit the page of sales. Here is the link. If you don’t care about which brand is better, then you can choose the camera slider by the price and buy from the one who will offer the greatest discount.[/sociallocker]



№1 – “31” Motorized Camera Slider Video Track Dolly DSLR Stabilizer with Time Lapse Automatic Track and Wide Angle Shot


MULTI-FUNCTION MOTORIZED SLIDER: automatic cycle (free to set the sliding distance) Video capture (silent motor, suitable for interviews) Delay shooting (select 1-1000) Support Auto and manual
MOTORIZED SLIDER EASY TO OPERATE: motorized slider can be tracked shoot and 120 degree wide shoot
For such a price and the level of quality it can’t even have any cons, only pick holes.

Why did this camera slider win the first place?

I really enjoy the design. It is compact, comfortable and reliable. And it looks amazing! I am very happy with the purchase. It is definitely worth its money. The product is top-notch! The material is stylish, but it smells for the first couple of days. I don’t know anything about other models from this brand, but I am fully satisfied with this product.
















№2 – A&J Camera Slider

A&J Camera Slider

Linear mode: can help your camera slides similar to a traditional slider both in side to side and front to back motion
Parabolic mode: pans in a tight arc that can help your camera slides and follow object in a gimbal
Durable aluminum alloy rail make the lifetime last long and the ball bearing extremely decrease the friction to minimum.
A little bit heavy.
Hard to use.

Why did this camera slider come in second place?

I really liked it. It is amazing in every aspect. It did even exceed my expectations for a bit, considering the affordable price. The design quality is top notch and the color is nice. The material is pretty strong and easy to wash if needed. I recommend you to consider buying this model, it definitely worth its money.
















№3 – Neewer 39″/1m Carbon Fiber Camera Track Dolly Slider Rail System with 17.5lbs/8kg Load Capacity for Stabilizing Photograph Movie Film Video Making DSLR Camera Nikon Canon Pentax Sony

Neewer 39

U-shaped ball bearings under the slider part to ensure both smooth motion and minimum abrasion on high-grade carbon fibre tubes
Available for vertical, horizontal and 45 degrees shooting by using the threaded holes in the slider.
Height of legs could be adjusted from 10.5cm to 13.5cm
May be a little heavy for some users.
Quite difficult to clean.

Why did this camera slider take third place?

It is inconvenient to use due to the size. I am going to get something different next time. I liked the design. We’ve been using it for 2 months and it still looks like brand new. A very convenient model. It is affordable and made of high-quality materials. It doesn’t squeaks nor bents. Looks great in my apartment.
















camera slider Buyer’s Guide

If you keep the before points in mind, you can easily go out to the market and buy camera slider, right? No!


Tough. The lesser the number of moving parts the better. Easy maintenance and troubleshooting.

The slider should be able to take hard knocks without losing alignment. Which means good materials, tolerances and a design that has foreseen these problems.

Under £500

At this price, it’s likely this is your first DSLR. You want that level of photographic control – that’s why you’re making the jump – but you don’t need maximum resolution and you don’t need to be inundated with options. You’re also going to want a lens in the bundle. Here are the models we think would be perfect for you, with lenses included in the price.

Canon EOS 1200D

The Canon EOS 1200D is the perfect gateway into the EOS system. Its 18MP sensor and Digic processor mean it doesn’t skimp on image quality, but at the same time it comes at a very enticing price point. Users can pair it with Canon’s EOS companion smartphone app in order to get guided tutorials and familiarise themselves with the 1200D’s operation. The controls are all physical, and the grip from its predecessor the 1100D has been improved for better handling. A great starter camera.

Pentax K-S2

If you’re likely to be taking your DSLR into rough situations then you may want something that can take a little punishment. We’d recommend the dustproof and weather-resistant Pentax K-S2, which has extensive sealing to keep out the elements.

Packing a 20.1-megapixel CMOS sensor, a wide ISO range of 100-51200 and an optical viewfinder with 100% coverage, the K-Sis a serious imaging package, a fact reflected by the fact it’s more expensive than both the 1200D and the D3300. If you can afford the outlay, and have a feeling you might need the weather-sealing, we’d recommend it.

Under £1000

So, you’ve been packing an entry-level DSLR or mirrorless camera for some time. You know its operation thoroughly, but you feel there are some things you wish it could do better. Its low-light performance is a little shonky, or its AF is a little sluggish. Maybe you’ve missed a couple of shots due to these issues.

It’s time to upgrade. These mid-entry DSLRs will allow you to build on the skills you’ve already learned and push them further to create amazing images. Here are our top picks.

Canon EOS 760D

The Canon EOS 760D is a fairly recent release from the Canon stable, and is a great choice for the competent user looking to push their images. The 24.MP sensor and Digic processor make for a powerful imaging combination, while the top-plate LCD and intelligent viewfinder offer the user an intuitive control experience.

As this is a newer Canon model it’s got the latest advancements in autofocus technology, and the Hybrid CMOS AF III system – with 1points – is very good indeed. A vari-angle touchscreen, full HD video and Wi-fi connectivity all round out a strong package.

Sony Alpha A7II

If you spend time outdoors shooting sports and fast action, then the Sony Alpha A7II is a very strong choice. Not only does it have a dust- and moisture-resistant build to withstand the elements, but its sprightly 12fps frame rate ensures that you won’t miss a crucial shot.

Pentax K-II

Following up the well-loved Pentax K-was always going to be a daunting task, but the K-II acquits itself nicely. Enhanced shake reduction and the lack of an optical low pass filter allow users to get the most of its 24.35MP sensor, while the dependable 27-point AF system locks on nice and quickly. There’s also built-in GPS and even a compass.

Unique to the Pentax K-II is Ricoh’s Pixel Shift Resolution mode. This is a special functionality that takes four images in a row in order to create a composite image at ultra-high resolution (not dissimilar to the composite mode on the Olympus OM-D E-MMark II). This really expands the level of detail a user can capture, especially when shooting in Raw format.

Under £1500

You know exactly what you want to achieve. Whether it’s stunning vistas, pin-sharp action or the perfect portrait, you’ve got your goal and you need the right kit. These enthusiast DSLRs will offer you the control and image quality you need to achieve your visions. These, for our money, are the best picks.

Canon EOS 6D

Another option for the full-frame crowd, the Canon EOS 6D is a few years old now but still offers a solid package for photographers of all kinds.

It was the first EOS model to include Wi-fi and GPS connectivity, and its ISO range of 100-25,600 (expandable to 50-102,800) is still impressive today. The 20.2MP full-frame sensor should be more than adequate for most purposes, and the relatively lightweight design is a plus.

Canon EOS 5DS R

You want pixels? Canon has got pixels for you. 50.6-million of them, to be precise. The Canon EOS 5DS R is the highest-resolution full-frame camera currently on the market – only the Sony Alpha 7R comes close.

This high resolution makes it perfect for landscapes and large-scale prints. If you want no compromise on sharpness and detail, this is the DSLR for you.

When looking for a large zoom camera, be certain that you pay attention to the optical zoom measurement, rather than digital zoom, as digital zoom can lead to a loss in image quality as it provides its magnification.

WiFi Camera

Many cameras currently on the market offer built-in Wi-Fi. This wireless connectivity can help you share photos with others immediately, can print photos wirelessly, or can provide an ability to remotely control the camera.

Camera with a Viewfinder

Viewfinder cameras are a rare breed these days and often reserved for select consumers.

Why you should trust me

I’m a photojournalist, a writer, and a professional photographer with a wide range of experience researching, testing, and writing about photography trends, techniques, and tools, including my role as mobile imaging editor at DPReview, the most popular camera site on the Web.

How we picked

To cut through the hundreds of widely available camera straps, we researched which ones have garnered the most praise online, interviewed experts and photographers to see what they like, and tested the best straps in a variety of situations.

For functional straps, we looked for options that emphasized function above all else. They had to comfortably hold a heavy camera with a big lens over a long day’s shooting, offer a robust attachment system to stow the camera safely, and prevent the camera from shifting too wildly when not in use.

For fashionable straps, we focused primarily on the handcrafted leather look that’s popular right now. Manufacturers boast their artisanal approach and high-quality materials—but we also sought out canvas and other leather alternatives. We looked at straps aimed at DSLR and smaller camera-system shooters, and wore them all with a variety of camera bodies and in situations ranging from shooting a full-day wedding to sightseeing around Spain.

After weeks of wear, we learned that even the most fashionable camera strap must also be practical: It has to hold your gear securely and without inflicting damage, feel comfortable on your neck, and not slide around too much or require regular adjusting.

How to care for a camera strap

First, make sure you’re attaching it to your camera correctly. Each manufacturer may have its own instructions, but this video shows the correct way to thread those with nylon attachments.

Clean canvas straps with a damp cloth, but if it’s really dirty, BlackRapid advises removing the hardware and letting the strap sit in Woolite for an hour before rinsing. Air drying is best.

If you have a leather strap, you need to care for it as carefully as you would your favorite boots. We spoke with camera strap aficionado and editor-in-chief of The Phoblographer Chris Gampat about his strap-care rituals. “Camera straps need care and maintenance like any fine leather product. Photographers should use wax and oil in the same way that they would polish and wax their leather shoes and goods. If you’re reapplying wax, always try to underdo it and be conservative. It’s best to also use a blow dryer to melt the wax and apply it evenly. To harden it, you should put it in the freezer for like a day or overnight to let it harden.” For a more complete take on the care and preservation of leather goods, have a look at our guide for leather shoe care.

Pull Quote

The BlackRapid’s nylon strap is adjustable and features a newly redesigned spring-loaded lock on either side of the carabiner to keep your camera from sliding around when not in use.

The BlackRapid Sport Breathe strap attaches to the camera via the tripod mount using a stainless steel thumbscrew and metal carabiner, now with a coating that keeps any clinking much quieter. That carabiner connection has been a point of failure for some owners in the past, but the new model features an improved locking mechanism on the carabiner as well as an additional plastic piece, called a LockStar (developed in partnership with Nikon), that prevents the carabiner from coming unlocked and keeps the metal hardware from scratching the camera body.

Fashion straps

When it comes to finding a camera strap that’s also fashionable, the search becomes a little trickier. A fashionable strap must still stand up to the weight of your camera and feel good on your neck, but you might have to make form over function compromises when choosing for looks. By their nature, most fashion straps won’t provide the same advanced attachment and stability systems of a more functional strap—but will look much nicer than options that are more pro-level.

With such subjective matter, it’s difficult to declare a clear “winner,” but a few standouts rose to the top for both DSLR and smaller-camera shooters. If you’re a professional photographer shooting a 10-hour wedding, see the Functional straps section above, but if you’re looking for something a bit trendier for more everyday use, read on.

The competition

We looked closely at almost 30 straps, and investigated many more through online research and interviews with experts. Overall, our top picks offer the most advantages, but for different tastes and needs, here’s what else we considered.

Functional straps

The Peak Design Slide, which can be worn as a traditional strap or as a sling, is a popular model, but we found that it felt exactly like wearing a seat belt—it was slick and apt to slide around the body and lacked any substantial padding.

Joby’s UltraFit Sling Strap lacked padding compared to our top pick and didn’t conform to the body as well, though it is considerably cheaper. It also comes in an XXL size, which could be an advantage for some users. It’s available in a women’s-specific version—an idea we liked—but in practice we didn’t notice much of a difference (though perhaps photographers with other body types would).

Hold Fast offers the Sightseer Sling, but it’s too much of a splurge compared to our main picks. It’s part of a modular system, with more-luxurious materials than other functional straps, but it’s far too expensive for most people.


There is no spec that tells you which camera is best. And few specs can be taken at face value.

Resolution (“megapixels”) doesn’t matter unless you’re a pro or already understand why. Sensor size, autofocus system and image-stabilization system are among the features that do.

Don’t get hung up on making sure you’ve got the “best” or newest in a particular class. The truth is, one camera rarely beats the rest on all four major criteria — photo quality, performance, features and design. And last-year’s (or even the year before’s) models tend to be perfectly fine as well as a lot cheaper.

Try before you buy. Make sure it fits comfortably in your hand and that it’s not so big or heavy that you’ll prefer to leave it at home. It should provide quick access to the most commonly used functions, and menus should be simply structured, logical and easy to learn. Touchscreen models can allow for greater functionality, but can also be frustrating if the controls and menus are poorly organized.

Unless you fully understand how a lens functions and what is its role in capturing an image, you will most probably end up buying a lens that doesn’t fit your needs and ultimately, feel bad about your investment. So let’s take a short lesson about camera lenses and understand the technicalities behind it.


Aperture is the opening in the lens through which the light enters the camera (technically it’s the size of the lens diaphragm, but let’s not complicate too much). The aperture of a camera is responsible for two things in the resultant image, the amount of light and the amount of depth of field.

Measuring lens aperture

The scale of measuring aperture is a little tricky. However, the more you keep shooting, the sooner you should get a hang of it.

Aperture size is measured in f-numbers or f-stops. It is either represented as fstop or f/stop. You can see that the aperture sizes shown in the above image are reducing as you move from left to right. However, the f numbers that measure the opening of the aperture are increasing at the same time. This is what you need to remember while measuring aperture sizes. The larger the aperture, the smaller the f number or f stop. The smaller the aperture the larger the f number or f stop.

Focal length

Focal length is the distance between the lens and the image sensor. The more the distance, the more the extent to which the lens will be able to zoom. So, Nikkor 55-200mm f/4-5.6G says that this particular lens has focal length that can be adjusted between 55mm and 200 mm. At 200 mm you should be able to achieve a focus of 2.5X.

External Chargers and Batteries

My first suggestion is to buy an external charger and extra batteries. Sure, you can always plug the cord that came with your camera into an electrical outlet to charge your camera battery, but it’s pretty hard to shoot with your camera plugged into the wall.

External Battery Packs

Tether Tools Case Relay Camera Power System is the first infinite hot-swappable power source for time-lapse photography, power-hungry LiveView shooting or video production. It offers uninterruptible power to most DSLR and Mirrorless cameras via any common USB 5V power pack or wall power.


Your camera came with a strap. It might be exactly your style, but if it’s not, you have lots of options. There’s no camera accessory we come in closer contact with than the strap. You can find virtually any strap your heart desires online, so if you’re in the mood for a hot-pink ostrich-leather camera strap, you’ll probably find it.

But if your prefer a cross-body sling strap, BlackRapid Metro Sling Camera Strap may be the ticket.

Camera Bags

I like to travel with my photo gear, and typically my travel involves flying. This means that all my camera equipment will be traveling in the cabin with me, not in the luggage compartment. I can’t emphasize this enough: Do not pack your camera in your checked luggage! Thousands of cameras, lenses, and accessories are lost or stolen from checked luggage every year. The best way to ensure that it doesn’t happen to you is to bring your equipment onboard and place it in the overhead storage. I like to bring my laptop as well, so I have found a couple of backpack camera storage systems that allow me to fit a camera body, several lenses, some accessories, my laptop, and even some snacks into one backpack-style bag that still fits in any overhead compartment.

One of great advantages of Sony E-mount cameras is that you can travel with your photo gear without it weighing you down. So you don’t want the bag you carry it in to weigh you down either. Fortunately, there are a few great options that won’t weigh down your shoulder—or your wallet.

Hot-Shoe Flashes

Sony acameras use the new multi-interface hot shoe, which allows the camera to be paired with many new accessories for stills and video production. Sony currently makes four flashes that fit directly into the multi-interface shoe: HVL-F20M, HVL-F32M, HVL-F43M and HVL-F60M.

Sony HVL-F20M, HVL-F32M, HVL-F43M and HVL-F60M flashes add power and flexibility to your flash photography.

Travel Tripods

The weight of your tripod will probably determine whether or not you will actually carry it along with you farther than the parking lot. Many different types of materials are used in tripods today. The lightest is carbon fiber, which is probably the most expensive as well. More than likely, you should consider an aluminum tripod that is sturdy and that has a weight rating that is suitable for your camera and lenses.

Make sure that the tripod extends to a height that is tall enough to allow you to shoot from a comfortable standing position. Nothing ruins a good shoot like a sore back. Taller tripods need to be sturdier to maintain a rigid base for your camera. You will also want to consider how low the tripod can go. If you want to do macro work of low-level subjects such as flowers, you will need to lower the tripod fairly close to the ground. Many new tripods have leg supports and center column mechanisms that allow you to spread the legs very wide and get the camera low to the ground.

Stabilizing Rigs

If you want to eliminate the camera noise that comes with recording sound with your camera, you should consider using an external microphone. You can have much more control over the quality of the audio because you are using a device whose sole purpose is to record audio. There is a growing market of microphones for mirrorless and DSLR cameras, including mics with hot shoe adapters that allow you to mount the mic to the camera so you can record without having to worry about holding the external microphone.

Video Cages

Constructed from high-quality aluminum alloy and stainless steel, the Handheld Camera Cage Rig Kit from Tilta is designed specifically for the Sony a6000, a6300, and a6500 cameras. The fully enclosed unibody rig is constructed from one piece of CNC Machined aluminum. The active cooling system provides heat exchange for the camera (requires 1VDC power source to operate).

In some ways, these cameras have been overtaken by the immediacy of digital photography, but if you want to be able to print your shots, this is what you need. Paper and ink comes in a cartridge which slots into the camera. Price per print isn’t cheap, but these cameras can be enormous fun.

Compact cameras

These are the most affordable photographic gadgets, the ones that have been partly supplanted by the camera you always have in your pocket – the one on your phone. But even the cheapest compact has an advantage over almost all phone cameras: it has an optical zoom (usually 3x but sometimes more).

The digital zoom found on most smartphones zooms in effect by cropping the picture and enlarging just the center area, thus reducing the resolution. So with a 4-megapixel image, for instance, when you zoom in using a digital zoom, you’re left with an image the same size as before, but with far fewer pixels filling it, reducing resolution to, say, megapixel. However, with an optical zoom, where the lens moves, you still have full resolution whether you’ve zoomed in or out. Compacts have non-removable lenses and are straightforward, point-and-shoot machines.

Waterproof cameras

These are compacted with extra protection. As well as surviving a dunking, they are often dust-, shock- and freeze-proof as well, so they are particularly useful for taking on a beach, skiing or on any other active holiday. Or if you’re very clumsy.

They are more expensive than an equivalent compact without such protective capabilities. So where a regular 16MP compact might cost INR” 7000, a waterproof model with similar specs would be at least INR 10000 but more likely INR 14000.

Advanced compact cameras: The name is clear enough – these are compacts that do a lot more. An advanced compact has a non-removable lens, but features a big sensor, and a bigger sensor delivers better results.

It stands for Digital Single Lens Reflex and is still the best-quality camera you can find. Usually, it has the highest-quality components, the widest range of compatible lenses and often the highest price attached.

There are plenty of accessories available from tripods to lenses, to lens filters, to lens hoods. They’re bigger than mirror less cameras, but can be the most satisfying to use. Many DSLRs are suitable for both first-timers and seasoned pros.

Mirror less

The bigger the sensor, the better the result, generally speaking. Sensors in mobile phones can be smaller than the nail on your little finger while a full-frame sensor is as big as a frame of 35mm film. Full-frame sensors are mostly, though not exclusively, found on DSLRs. A one-inch sensor is big and can be found on some advanced compacts.

A one-inch sensor is highly effective, though you may have to settle for less. The sensor is where the image is recorded, so the better it is, the better your chances of good results. And it’s not all about megapixels.

What we like in Sony DSC W830 Cyber-shot

1.The camera poses good Image Stabilization along with Face Detection feature.

3.It is as light as 122g Light Body with 25mm Wide Angle Lens and provides Panorama Shooting mode.

Camera Card

S you have a beautiful new camera, now you need some media to store your footage on. Two things you want to look for in a card, speed and size. In general you are going to need a class SD card or 400x CF card. I like the 16gb card size, not too big not too small.





How to save up to 86%? Here is little trick.

You must visit the page of sales. Here is the link. If you don’t care about which brand is better, then you can choose the camera slider by the price and buy from the one who will offer the greatest discount.



Final Word

First of all thanks for reading my article to the end! I hope you find my reviews listed here useful and that it allows you to make a proper comparison of what is best to fit your needs and budget. Don’t be afraid to try more than one product if your first pick doesn’t do the trick.

Most important, have fun and choose your camera slider wisely! Good luck!

So, TOP3 of camera slider



Questions? Leave a comment below!

Chatting about camera slider is my passion! Leave me a question in the comments, I answer each and every one and would love to get to know you better!

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