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Best throat mics 2018 – [Buyer’s Guide]Last Updated December 1, 2019
Best throat mics of 2018
You can make a choice based on the my list as you shop. There is a wide range of products available on the market today, and below I have reviewed 3 of the very best options. The rating is based on multiple factors: The 3 metrics ‐ Design, Materials, Performance, and other indicators such as: Popularity, Opinions, Brand, Reputation and more. Customers need to be careful on how they spend their money on these products.
Test Results and Ratings
Why did this throat mics win the first place?
I really enjoy the design. It is compact, comfortable and reliable. And it looks amazing! I am very happy with the purchase. It is definitely worth its money. The product is top-notch! The product is very strong. Its material is stable and doesn’t crack. I also liked the delivery service that was fast and quick to react. It was delivered on the third day.
№2 – AIRSN Throat Mic Microphone Covert Acoustic Tube Earpiece Headset for Kenwood Puxing Wouxun Baofeng Two Way Radio
Why did this throat mics come in second place?
This is a pretty decent product that perfectly fitted the interior of our office. The material is pretty strong and easy to wash if needed. Managers explained me all the details about the product range, price, and delivery. I recommend you to consider buying this model, it definitely worth its money.
№3 – 1 X Flexible Throat Mic Microphone Covert Acoustic Tube Earpiece Headset With Finger PTT for Kenwood Pro-Talk XLS TK Two Way Radio Walkie Talkie 2pin
Why did this throat mics take third place?
We are very pleased with the purchase — the product is great! It doesn’t squeaks nor bents. Looks great in my apartment. This price is appropriate since the product is very well built. It is inconvenient to use due to the size. I am going to get something different next time.
throat mics Buyer’s Guide
Special Projects AQUA 2020 Microphone System 16
Those were the simple reviews of reliable and worth buying wireless fitness microphones. Be sure that you read the first part of the article, because those features are really important when you want to buy this kind of microphone. Don’t encourage yourself to buy a cheap and low quality model, because in time you will invest the same amount of money, but with no satisfaction. Also, be sure that the microphone’s features are good enough for you and your type of work. Scan the market before buying anything and also make comparison between the products. Be really careful at the prices, too. Our advice is to buy a quality item, but some of them have only high prices, without any quality. So be really sure before you want to invest in something that is more expensive than usual. Don’t forget to make a pro and a cons list. This way will be easier for you to better see each item’s positive and negative features and the choosing will be simpler. Also, you can search for other reviews of the product and see other points of views. This will surely make you think about a product from different angles and it will really help you choose the right one for you.
Throat Microphones for Motorcycling Applications
The throat microphone or laryngophone, is a type of contact microphone first developed for and tank crews in WWII.
Most throat microphones consist of one or two transponders, which pickup or absorb the vibrations generated by the larynx. These vibrations are turned into electronic audio signals, in effect transmitting sound directly from the throat to a (typically) amplified circuit for output to a radio, phone or earphones.
Throat microphones have advantages and disadvantages. The biggest direct advantage is that throat microphones are virtually insensitive to noise. For a motorcycle rider, this means noises generated inside and outside the helmet.
The shape and typical placement of a throat mic system makes it ideal for not only motorcycling, but many other applications, something I can attest too.
Disadvantages include cost, as this type of system tends to be more expensive to develop and produce. They are also more sensitive to correct placement and because of this, sounds naturally generated in the nasal cavity and by the tongue and lips can become muffled.
So unless the transponder or microphone output in the electronic device to which the throat mic is connected is powered (amplified), it is important that the transmitting device be able to amplify the signal so that volume and quality is provided.
Many low-powered and low-cost FRS/GMRS-based radios will function with a throat mic, but results may not be optimal. Some newer and higher output FRS/GMRS radios provide extended ranges and faster switching and work much better than radio sets that are one or two years old.
Depending on which digit is hosting the unit, I just squeeze the grip or press the host finger up against the side of the handlebar guard or control housing to activate the PTT. It can be mounted on the finger inside a glove or run down the sleeve and into a glove for a very secure, low-profile, and totally portable switching environment.
With a relaxed length of 160 cm (62.in) this combination straight and flex wire cable should be more than enough if being run up inside a jacket, down the sleeve and into a glove; stretching the flex portion of the cable almost doubles overall length.
More recognizable is the slightly larger PTT switch on a 9cm (36.in) lead, which can be mounted to a convenient spot on the handlebar or clip-on using the provided non-skid backed fastener loop.
If spot mounting is needed to make it more readily accessible, the PTT button can be separated from the fastener material on the loop and then secured elsewhere using a companion piece of fastener material, which is what I did on both the F800GS and the R1200RT. The switch is very positive in feel and takes only a light touch to activate.
MAP ProtectedExempt From Coupons
The manufacturer of this product enforces a strict minimum advertised price (MAP) policy which excludes this product from any additional discount coupon codes. This item, however, may qualify for free shipping.
The Assault Tactical Throat Microphone allows the radio user to transmit in high noise areas and be heard clearly through throat vibrations.
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Read More. It switches seamlessly and smartly between Bluetooth and computer, so you’ll have a great experience.
What Makes It Special: Getting a big brand like Plantronics for a cheap price is a good deal in itself. But getting the Explorer 50, the successor to the mega-popular M50, is extraordinary.
The problem here is physics. PVC starts to harden, dry and crack nearly immediately. Even if an authentic, vintage replacement PVC Mcapsule were to be stored in its original plastic box for however many years, it would not spec out the same as the day it left the factory once you pulled it out and popped it into a microphone. The theoretical “New Old Stock” capsule has a way better chance of sounding the way it should…but that capsule is also theoretical.
The sonic result with this drying touches on both the low and high frequencies captured by the capsule. A dried, cracking Mwill sound notably lighter in the bottom octaves with a more gentle top-end response. The low-frequency waning over time was made up by very close vocal work, where proximity effect in cardioid mode kicked up the bass.
When the wear on the front side of the capsule got to be too much, studios and resellers started turning the capsules around, being that the rear of the capsule rarely saw the sort of use and abuse that the “business end” did. Keep in mind that these microphones were typically used for vocals and instruments and didn’t get switched over for omnidirectional/distant work very often.
Neumann noticed this particular issue early on and replaced the PVC Mcapsule with the Mylar-skinned K4(also used in the M4microphone, designated as K4even though the actual capsule was essentially the same), which has proven to be superior with regards to consistency and stability. Sonically, the K4capsule in the U 4nods toward more forward and aggressive tendencies, whereas the earlier Mcapsules are more sweet and sultry. Subtle to the layman, but noticeable to the trained listener or anyone truly paying attention.
If you were to come across an M7-equipped example today, you could be all but guaranteed that it would require a trip to ex-Gefell employee Sigfried Thiersch to be reskinned. Being that reskinning a capsule is pretty much black magic at this point (and Mr. Thiersch has a waiting list), your other option is to put a brand new Neumann K4capsule into the mic as they are remarkably consistent with the original capsules from the late 1950s.
Mr. Thiersch also manufactures his own Mcapsules in both PVC and PET (Polyethylene Terephthalate) versions, which can be identified by the color of the ring around the diaphragm – blue for the former and red for the latter. If you’re in the market for an M7-equipped mic, having a Thiersch capsule installed appears to keep the value of the microphone around the same as having a genuine K4capsule.
Today, we’re at a point where an original Mcapsule should diminish the overall value of the U 4by at least the cost of a new K4and professional installation. Reskinned M7s should be done by an expert (of which there are maybe two in the world) and can retain original value if all else is the same.
There’s a bit of folklore behind the U 47’s Telefunken VF1tube and its origins. Was it a military tube that drove radio and long communication lines? Was it designed specifically for this particular microphone? I tend to believe the latter, especially because one of the most encyclopaedic minds in microphonium named Oliver Archut (RIP) says that’s the case. That, and there’s no documented mention of the tube before the microphone.
But hell, there may be merit to the former. Perhaps it started out as a prototype or drawings for underwater transmission or whatever-the-hell and then died on the vine, only to have Neumann commission Telefunken to finish the job and stick it into a mic.
Wrong. The VF1in and of itself is something of an electronic marvel which will likely never be recreated. Specialized machinery was and is necessary for manufacturing steel vacuum tubes, with just the welding process requiring machines that would be financially out of reach of any modern day torch-holding dork to bring back to life.
If you are not familiar with what “B+ voltage” is, you absolutely must not attempt to service the microphone or power supply yourself due to risk of fatality – both for you and for the microphone. When taking delivery of your new-to-you U 47, it is highly advisable to hand the microphone over to a respected technician with experience servicing these mics to make sure that the power supply is properly calibrated and everything is hunky dory.
Aftermarket power supplies are often seen with U 47s and all vintage tube mics. They are rarely of the same topology, and when we’re talking about any electronic circuit that’s so simple, swapping out the power supply will have dramatic effects on the sound of the microphone.
Barring a miracle, the VF14M tube will never be produced again, and the world’s supply dwindles every single day. There will come a time when all existing U 47s will be without their original tube, and thanks to that, they’ll be without their signature tone, too.
So why own a U 47? Realistically, you can buy two great used cars for the same money, giving one to your kid and keeping one for yourself to schlep your numerous, less prohibitively expensive microphones from place to place. You can buy an entire mic locker for the price of one mint condition vintage 47.
In the case of commercial studios who own one or twenty 47s, keep in mind that many of these studios purchased these mics two or three decades ago when the price, while still high, was significantly easier to justify. And let’s face it, these studios take in a good chunk of change at their normal day rate, and just a couple weeks of sessions could totally pay for the price of a vintage Neumann U 4or any other high-dollar microphone should they decide they need one.
For private studios, owning a U 4is usually the result of an unshakeable fetish. People collect things, and the U 4is highly collectable – simple as that. Could a Bock 4or a Wunder CMor a Flea 4get you 95% of the way there? Well, that just doesn’t seem to matter to some people. Only the genuine article will do.
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First of all thanks for reading my article to the end! I hope you find my reviews listed here useful and that it allows you to make a proper comparison of what is best to fit your needs and budget. Don’t be afraid to try more than one product if your first pick doesn’t do the trick.
Most important, have fun and choose your throat mics wisely! Good luck!
So, TOP3 of throat mics
- №1 — CQtransceiver Heavy Duty Throat Mic Headset for Baofeng Portable Radio UV-5R UV-3R PLUS
- №2 — AIRSN Throat Mic Microphone Covert Acoustic Tube Earpiece Headset for Kenwood Puxing Wouxun Baofeng Two Way Radio
- №3 — 1 X Flexible Throat Mic Microphone Covert Acoustic Tube Earpiece Headset With Finger PTT for Kenwood Pro-Talk XLS TK Two Way Radio Walkie Talkie 2pin